François Boucher was the epitome of Rococo painters. Rococo was the ornate style of courtly decoration in 18th Century France. Paintings like Boucher's would have been displayed as one among many. The court considered paintings as part of the luxury trade and were regarded as an artisanal product along with luxurious furnishings and decorative artifacts Not segregated away in a gallery; Rococo paintings were displayed in the luxurious rooms found in 18th century chateaus.
Here François Boucher's Toilet of Venus depicts the standard mythological scene of Venus. Boucher was fond of paiting erotic pastoral scenes with rosy female nudes. In this painting, jewels, silks and ornaments tumble over the edge of the stage and into our visual space as if they are being offered or on display. These objects bursting forth also represent the luxury which the patron or member of the court could afford.
This painting was commissioned by King Louis XV's mistress, Madame de Pompadour. She once had fun playing the title role of Venus at Versailles. Madame de Pompadour was Boucher's patroness and he painted under her wing. Boucher painted the Madame de Pompadour several times. Their names were synonymous with the Rococo style.
Rococo died out by the time of the French Revolution. The frippery of the Rococo era was replaced with the order and the seriousness of Neo-Classicism whose subjects began to reflect the republican values of the masses.
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