Partridge -no Pear Tree

This is what was sitting on my fence Monday afternoon, just under the willow tree. It's a red-legged or chukar partridge. You know how fast things enter one's mind. At first I thought it was a run-away guinea fowl from the nearby High Park zoo. Then I thought it was a freakishly big mourning dove. Then I thought it was a quail.

It was still for a long time; at least 5 minutes. Maybe it was mesmerized by the barn owl I had painted.

Anyway Jersey yipped, the bird yeeped and flew away wheek, wheek into the neighbour's garden.

Nervous Lemons

I should probably 'fess up and say that this painting of mine is greatly influenced by a painting by Colin Wally titled Lemons and Limes.

More Shameless Self-Promotion

 Good Morning!

My Plum Tarts are featured on the Etsy Paper Goods Showcase today. I've added note books. Please click here if you are curious.http://www.etsy.com/category/paper_goods. 

Thanks. XO

Thora Dardel

Thora Dardel nee Klinkowstrom was born in Sweden in 1899. In 1919 she moved to Paris to live with her art-student brother who was studying in Montparnasse. What fun. Count me in! She was to study art under the tutelage of sculptor Antoine Bourdelle. On the way over from Sweden, Thora became friendly with a shipmate named Nils Dardel, also an artist.  Through Nils Dardel, Thora was drawn into the circle of artists who frequented the Cafe de la Rotonde where Modigliani was a regular.

In Thora's memoirs she recounts her first meeting with Modigliani

"Modigliani ...drew me piece by piece on several sheets of paper which he then spread out edge to edge. All his figures had such long necks and bodies that he usually needed two or three sheets of paper for each person that he drew when he drew on the Rotonde's small stationery. Then he wrote Italian verse on the drawings and gave them to me. I thought he was extraordinarily fascinating. Then one day some time later Modigliani asked Nils Dardel if he was allowed to paint my portrait. The question was of course relayed to me, who of course was happy and overwhelmed."

Later she goes on the describe the modelling session.

"Modigliani's studio was on the top floor of a house on rue de la Grande Chaumiere. His floor was covered with a carpet of trod on charcoal and matches. He almost fainted when I asked him to sweep the floor. I think he had worked several years to make it look like that. A large table with his painting stuff, a glass, a bottle of rum was the whole environment, plus two chairs, some canvases and an easel. He drank often and easily - against the cough, he declared and he really did cough a lot. It was cold and miserable outside but in his studio corner there was a charcoal stove that he did up well. Modigliani put a large canvas on the easel and drew me. I got the same El Greco-like lines and the same figure as all the women in his art had. The likeness of me was therefore not very good. I returned on several occasions and sat for the portrait and liked Modigliani more and more."

Thora married Nils Dardel. During the 20s she worked as a photographer and journalist for a Swedish magazine.

Years ago I came across the top photograph of Thora Dardel in my "Desert Island" book, Kiki's Paris. The photo inspired me to paint another Montparnasse lady.

I had forgotten that I'd ever seen this picture, when just the other day I stumbled across Dora's photo again and recognized her hat. Because I was just inspired by her hat, my humble painting is not at all a true likeness.  But is it closer than Modigliani, I wonder? Anyway, I call her Marianne, not Thora, because she reminds the rest of my family of my step-mother-in-law.

with notes from the Dictionary of Artists Models ed. Jill Berk Jimenez, Thora Dardel, Billy Klüver and Julie Martin.